C.V.
Garnet throughout his career has been a participant in both the Canadian and the international cultural world. From the very beginning, his photographic works were included in exhibitions in the United States and then Europe. He has maintained an international presence throughout his career. Still as a young artist, his work was presented at La Memelle in San Francisco 1978. A participant at the Venice Biennale in 1985. Garnet's 1997 work, NO was included in the exhibition Hitchcock and Art: Fatal Coincidences at the Montreal Museum of Fine Arts, Montreal (2000) and the Centre Georges Pompidou, Paris (2001). In 1997, the National Gallery (CMCP) hosted his mid career survey entitled: the Fallen Body. Other new photographic works, Fissure (1997), Fracture (1999), and Lament (2000), among them have recently been the subject of exhibitions in the Netherlands, at the Noorderlicht Photofestival, Groningen (2001). Garnet has had major surveys of his photographs, at the Amsterdams Centrum voor Fotografie (2002) and Dust at the Museum of Contemporary Canadian Art in Toronto (2002).
| INDIVIDUAL EXHIBITIONS | |
|---|---|
| 2007 | IMPULSE ARCHAEOLOGY, White Box, New York |
|   | MONEY DREAMS and Other New Work,Christopher Cutts, Toronto |
| 2005 | IMPULSE ARCHAEOLOGY, Museum of Contemporary Canadian Art, Toronto |
| FORGIVE, Galeria Begona Malone, Madrid | |
| 2004 | Project Space, Chicago Art Fair |
| IMITATIVE HARMONY, Christopher Cutts, Toronto | |
| 2002 | ELDON GARNET, Amsterdams Centrum voor Fotografie |
| Geographically Based and Other Small Sculptural Statements, Torch, Amsterdam | |
| The Melodious Child, Christopher Cutts, Toronto | |
| Dust, Museum of Contemporary Canadian Art, Toronto | |
| 2001 | Geographically Based, Fly Gallery, Toronto |
| 2000 | Christopher Cutts, Toronto |
| The Fallen Body, Saidye Bronfman Centre, Montreal | |
| 1999 | Ricco/Maresca, New York |
| 1998 | The Fallen Body, Canadian Museum of Contemporary Photography, Ottawa |
| 1997 | Fissure, Wave, Toronto |
| The Narrative Body, Meg, Toronto | |
| NO, Torch, Amsterdam | |
| 1996 | Aliyah, Tableau Vivant, Toronto |
| 1995 | Promise, Stichting de Bank, Enschede Holland |
| Four Sites, Torch Gallery, Amsterdam | |
| 1994 | Promise, Genereux Grunwald Gallery, Toronto |
| 1993 | When?, The Power Plant, Toronto |
| 1992 | Vanitas, Cold City, Toronto |
| The Narrative Body, Torch Gallery, Amsterdam | |
| 1990 | Emblems of Circumstance + The First Edition, Torch Gallery Amsterdam |
| Trembling + The First Edition, Martina Detterer Gallery, Frankfurt | |
| Trembling, Cold City, Toronto | |
| 1989 | The First Edition Bronze Sculptures, Cold City, Toronto |
| 1987 | Heavy Industry, Cold City, Toronto |
| 1985 | Emblems of Circumstance, ArtCulture Resource Centre, Toronto |
| 1984 | Caves, PS1, New York |
| Caves, ArtCulture Resource Centre, Toronto | |
| 1983 | Caves, Zona, Florence |
| Cultural Connections, Musee d'Art Contemporain, Montreal | |
| In Trouble | |
| + Caves, CEPA, Buffalo | |
| 1982 | Privacy, Cameron Public House, Toronto |
| 1981 | Cultural Connections, Canadian Centre of Photography, Toronto |
| 1980 | Isaacs Gallery, Toronto |
| 1977 | Blurrs, Isaacs Gallery, Toronto |
| La Mamelle, San Francisco | |
| 1975 | All Dulled Out in Tartarus, A Space, Toronto |
| SELECTED GROUP EXHIBITIONS | |
| 2007 | THE BOOK OF LOVE, Spin Gallery, Toronto |
| Pulse, New York, with Torch Gallery, Amsterdam | |
| Contact Tickler, Christopher Cutts, Toronto | |
| Splash, Christopher Cutts, Toronto | |
| CONTEMPORARY CURIOSITIES, Kamloops Art Gallery, Kamloops | |
| VIC'S CRANE, Harbourfront Centre, Toronto | |
| COLLECTED, Ryerson Gallery, Toronto | |
| 2006 | 20TH ANNIVERSARY, Christopher Cutts Gallery, Toronto |
| 20TH ANNIVERSARY, Sculpture, Christopher Cutts Gallery, Toronto | |
| Pulse, NY, with Torch Gallery Amsterdam, | |
| Scope, NY, with Christopher Cutts Gallery, Toronto | |
| DIVA, NY, with Galerie Begona Malone, Spain | |
| THE CONSTANT POSSIBILITY OF ERASURE, Dorsky Gallery Curatorial Projects, New York | |
| 2004 | The Armory Show, with Torch Gallery |
| Scope New York, with Chrisopher Cutts Gallery | |
| 2005 | DUST, University of Lethbridge Art Gallery, Lethbridge |
| THE SLAYED LAND, Galeria Begona Malone, Madrid, Spain | |
| BUG CITY, Winnipeg Art Gallery, Winnipeg | |
| THE COLD CITY YEARS, The Power Plant, Toronto | |
| 2003 | PLAQUES AND ANGELS, Alliance Francaise, Toronto |
| LE SALON DU PRINTEMPS, Montreal | |
| Scope NY., Scope L.A., Scope Miami with Christopher Cutts Gallery | |
| Berlin Forum, with Christopher Cutts Gallery | |
| PUBLIC RESPONSIBILITY, Art Museum of the Americas, Washington | |
| PARIS PHOTO, Paris, with Torch Gallery | |
| 2002 | Bio-Mech, Archive Inc., Toronto |
| The Claustrophobic Forest, Kenderdine Art Gallery, Saskatoon | |
| National Gallery of Canada, permanent collection | |
| 2001 | The Admittance of Photography, Dunlop Art Gallery, Regina |
| Bedroom Gallery 2.0, Milk Gallery, Toronto | |
| Hitchcock and Art: Fatal Coincidences, Centre Georges Pompidou, Paris | |
| Pool, Harbourfront Art Gallery, Toronto | |
| Droomoord, Noorderlicht Photofestival, Groningen, The Netherlands | |
| Exploring the Collection: Prevalent Concerns, Kamloops Art Gallery, Kamloops, B.C. | |
| Bigshots, Art System, Toronto | |
| La Vie, La Mort, Le Ceremonial, Galerie Bourbon-Lally, Montreal | |
| 2000 | Glo, Archive Inc., Toronto |
| 2000 Words, Toronto Photographes Workshop, Toronto | |
| Hitchcock and Art: Fatal Coincidences, Montreal Museum of Fine Arts, Montreal | |
| 1998 | Lewd, Archive Inc., Toronto |
| Picturing the Toronto Art Community: The Queen Street Years, The Power Plant, Toronto | |
| Ashkenaz: A Festival of Yiddish Culture, Toronto | |
| Truth, Lies and Photographs, Art Gallery of Peel | |
| 1997 | NO, Archive, Toronto |
| NO, Ricco/Maresca, New York | |
| Figuratively Speaking, Wave, Toronto | |
| NO, David Klein Gallery, Birmingham, Michigan | |
| 1996 | Happy End, Kunsthalle Dusseldorf, Dusseldorf |
| 10 Years, Cold City, Toronto | |
| 1995 | Vanitas, Nature Studies, University of Massachusetts, Amherst |
| 1994 | The Body: Le Corps, Kunsthalle Bielefeld |
| The Body: Le Corps, Haus am Waldsee, Berlin | |
| 1992 | Beau, Canadian Museum of Contemporary Photography, Ottawa |
| 1990 | The Zone of Conventional Practice, Mendel Art Gallery, Saskatoon, TWP, Toronto |
| Today Tonight Tomorrow, National Library, Ottawa | |
| 1989 | The Zone of Conventional Practice, Heavy Industry, Optica, Montreal, Presentation House |
| American Fine Art, New York | |
| A Space, Toronto | |
| Prospect Photography, Frankfurter Kunstverein, Frankfurt | |
| 150 Ans Apres La Photographie, Musee de la Civilisation, Quebec | |
| 1988 | Images in Time and Space, Ottawa + San Jose + Toronto |
| Luntic of One Idea, Imprison Polluters, Public Access, Toronto | |
| Active Process, I Shot Mussolini, touring exhibition of bookwork. | |
| Cold City Gallery, Toronto | |
| 1986 | Art Technology Informatics, I Shot Mussolini, Venice Biennale |
| Lumieres, Light Industrial, Central International D'Art Contemporain de Montreal | |
| I Shot Mussolini Cold City Gallery, Toronto | |
| 1985 | Canadian Holography Now, tour, England. |
| Double/Doppleganger, Amsterdam | |
| Interior Rites, ArtCulture Resource Centre, Toronto | |
| 1984 | 303 Park South, N.Y. |
| Canadian Holography Now, Museum of Holography, Brussels | |
| 1983 | New Canadian Photography, In Trouble, The Canadian Centre of Photography, Toronto |
| New Holography, Advice, A Space, Toronto | |
| Caves, Centre International D'Art Contemporain, Paris | |
| Advice, Part of touring holography exhibition in 10 locations in Europe | |
| Chromaliving, You Can Lead A Horse to Water But You Can't Make It Drink, Chromazone, Toronto | |
| 1979 | JFM 232, CEPA, Buffalo |
| Learning a Perceptual Motor Skill, A Space, Toronto | |
| 1978 | Studies in Time and Motion, Harbourfront Art Gallery, Toronto |
| 1974 | The Poet Machine, Isaacs Gallery, Toronto |
| PUBLICATIONS (books) | |
| 2007 | LOST BETWEEN THE EDGES, Semiotext(e), New York |
| 2005 | IMPULSE ARCHAEOLOGY, University of Toronto Press, Toronto |
| 2004 | MIMESIS ANTIMIMESIS IN PHOTOGRAPHY, Blank Slate, Toronto |
| 2002 | ELDON GARNET, Amsterdams Centrum voor Fotografie, CD catalogue |
| The Melodious Child/Dust, Museum of Contemporary Canadian Art/Christopher Cutts Gallery, CD catalogue, Toronto | |
| 1998 | The Fallen Body, Canadian Museum of Contemporary Photography, Ottawa |
| 1995 | The Garden of Failure: Reading Brooke Shields, Semiotexte, New York |
| 1993 | When?,The Power Plant, Toronto |
| 1992 | The Narrative Body, Autonomedia, New York |
| 1975-1990 | Impulse magazine, Toronto |
| 1989 | Today Tonight Tomorrow, Limited Edition, Toronto |
| I Shot Mussolini, Summerhill Press, Toronto | |
| 1987 | I Shot Mussolini, Limited Edition, Toronto |
| 1984 | Caves, ArtCulture Resource Centre, Toronto |
| 1982 | Cultural Connections, Image Nation, Toronto |
| 1979 | Spiraling/JFM 232, 1W1 Communications, Toronto |
| 1978 | Einstein's Joke, Impulse (microfiche), Toronto |
| 1977 | Brebeuf, A Martydrom of Jean de, Press Porcepic, Toronto |
| 1974 | W)Here? Other Canadian Poetry (ed.), Press Porcepic, Toronto |
| 1973 | Asparagus, Missinglink Press, Toronto |
| The Last Adventure Oberon, Ottawa | |
| 1971 | Angel, Press Porcepic, Toronto |
| FILM . AUDIO . VIDEO | |
| 2007 | If Only for a Moment Parts 1 to 3, 2-5 minutes each |
| 2005 | New Kapital, video, 23 minutes |
| 1986-1990 | Today Tonight Tomorrow, video, 180 minutes |
| 1986-1989 | $300, Maclean Hunter Cable Television, half hour monthly |
| 1977-1987 | Portraits, super-8, colour, 60 minutes |
| 1984 | The Political Error, 16mm, black and white, 12 minutes |
| 1980 | VideoZine, video, black and white, 30 minutes, La Mamelle San Francisco |
| 1979 | Eldon Garnet Live, audio casette, Art Contemporary Editions, San Francisco |
| Winning, super-8, colour, 55 minutes | |
| 1977 | Einstein's Joke, super-8, colour, English sub-titles, 15 minutes |
| 1976 | Airswim, super-8, colour, 5 minutes |
| 1975 | Enclosure, super-8, colour, 15 minute loop |
| 1974 | L'Heure D'Oeuf, 16mm, black and white, 5 minutes |
| 1967 | Pictures, 16mm, black and white, 17 minutes |
| PUBLIC COMMISSIONS | |
| 2007 | HEALING, Oshawa |
| 2004 | TURNING, Toronto |
| 2000 | GIFT, Toronto |
| 1996 | TIME: AND A CLOCK, Toronto |
| 1988/89 | MEMORIAL TO COMMEMORATE THE CHINESE RAILROAD WORKERS IN CANADA, Toronto |
| 1987/89 | THE METROPOLITAN TORONTO POLICE HEADQUARTERS, Toronto |